We Are All Necromancers
I've never been one for keeping a diary or journal. This blog is as close as I've come, and it usually captures what I'm learning or pondering much more than happenings in my life, and without any regularity or pattern. Still, people are always giving me journals as gratitude or participation swag or the like and I've developed a small collection of empty books waiting to be filled. Then I had the thought to put a leather, rustic journal on my Amazon wish list since it seemed like something a wizard would carry, and someone gave it to me this past Christmas. It's so nice, I felt I couldn't leave it ignored and empty, collecting dust. While my perfect self would fill it with poetry, cryptic and arcane musings, and other spell-like words, I'm not that creative (yet?). But I have managed to pull it out a couple of times to record actual thoughts--to do actual journaling.
The more recent occurrence was a couple of weeks ago during an early break from winter when the weather was beautiful on the weekend. I put the journal into a satchel and carried it with me on a walk on a rural trail. At my furthest point, I sat down on a bench and wrote. After describing my location, environment, and state of mind, I captured the thoughts that follow this image.
. . . This morning I was reading the book A Stranger in Olondria by Sofia Samatar. I've read and thoroughly enjoyed some of her more recent books.* This was her debut, from about ten years ago. I am not quite a third of the way through and intrigued to see what happens next in the tale--which is a recent turn; the writing has wonderfully detailed world building, with dense, lush descriptions. I prefer more psychology and focus on character, so it's been a fascinating yet slow read for me so far.
The book's subtitle: Being the Complete Memoirs of the Mystic, Jevick of Tyom. Ah, now that intrigues me; and we just turned into the beginnings of his mystical experiences.
Normally I would wait to finish a book before articulating thoughts about it, but earlier I was rereading the descriptive blurb on the back cover. The final sentence: "An ordeal that Challenges his understanding of art and life, home and exile, and the limits of that seductive necromancy, reading." The book has not yet used the word "necromancy," so I don't know if it will or if that is something that only appears in this summary. In case it does, I want to capture my thoughts now before they impact me. (I hope it does because I want to know more; I just want to express my ideas, too.)
I'm not sure why, but my eleven-year-old son's fantasies of power have for the past few years involved becoming a necromancer. A wizard of necromancy, the magic of bringing the dead back to life. It isn't because anyone close has died and he wants them back; it's because he wants to command an undead army. I guess he considers living beings too willful and thinks it's better to have mindless minions completely under his control.
"That seductive necromancy, reading." Whoa. That's a thought. Reading is the act of practicing the magic of bringing the dead back to life. Not just visiting the dead or conversing with them, but reanimating them and giving them new life. In you. Through you.
We are all necromancers, then.
And what does that make the act of writing? What kind of magic is that, the spell that preserves you for others to revive?
And what does that make me as a Librarian. Not quite a necromancy instructor, as that would be reading teachers. More of a curator of necromancy, a sponsor and advocate and patron. A champion of necromancy.
I've enjoyed calling myself a story pusher and lore curator for many years, but this is something entirely new.
Am I a priest of necromancy? A necromantic cleric? Paladin?
This will require rumination. For now: a champion of necromancy, sitting in the semi-wild borderlands, crafting the first half of a magic spell that practitioners later can visit to bring me in this moment back to life.
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(*see: A Kaleidoscopic Collage of Fragments, Moments, Impressions, Personas and Memoir-ish Thoughts in Response to a Memoir)
I've since finished reading it, A Stranger in Olondria: Being the Complete Memoirs of the Mystic, Jevick of Tyom by Sofia Samatar. Reading as necromancy is never boldly, explicitly stated as such, but the idea of preserving the dead in writing and books is certainly at the heart of the story. Here's what I wrote for my review:
A remarkable book. It has some of the deepest and richest world-building I've encountered, and Samatar describes her world in deep, rich, lush language. In many ways, I might even go so far as to say the setting is the main character, the cultures and stories and beliefs of the people, the sights and sounds and dwellings and landscapes, more than any individual. It is poetic and immersive and, in its own way, subtle.Jevick is the son of a wealthy merchant from an island country, unusually educated in the language of the nation they trade with thanks to a private tutor. He is a romantic, a scholar, in love with books and stories and learning. The first time Jevick travels abroad, leading the annual expedition after his father dies, he is more interested in experiencing Olondria than conducting his trade. Then he becomes haunted--quite literally--by a ghost. Which, in the land's ruling religion, makes him a saint, which makes him illegal since saints have been outlawed. And before he knows what's happening, Jevick is at the center of political manipulations and maneuverings between Olondria's two religions that are vying for power--when all he really wants is to find a way to rid himself of the torturous haunting. His quest ends up leading him across the continent, reluctantly drawn into events as a means to accomplishing his goal, and possibly discovering love, heartache, and sorrow along the way.I hope that description comes across as enticing and exciting, as I'm hoping to do the book justice. Because, unfortunately, for all that I appreciate and respect the writing and love all of the story's elements, I often found myself a bit bored with reading it. The descriptions were too much, the loving detail with which every location and experience was described was not my preferred type of book. I like something with more psychological and philosophical drama, more character focus. No fault of the book, I just didn't have the right kind of chemistry with it to fall in love. Nonetheless, it is worthy of many stars and I'm glad I read it.
And here is the full description from the back cover I was looking at; also shared on Samatar's website:
Jevick, the pepper merchant’s son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick’s life is as close to perfect as he can imagine. But just as he revels in Olondria’s Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl.In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire’s two most powerful cults. Yet even as the country simmers on the cusp of war, he must face his ghost and learn her story before he has any chance of becoming free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that seductive necromancy, reading.
So, yes, I might just have to change my title from "Librarian" to "Champion of Necromancy."
That seductive necromancy, reading. Every time we read, we resurrect the dead--or, at least, the past. Reading is bringing another time and place and people back to life. Reading is necromancy.
Just as you, reading this, are practicing necromancy yourself.
A quick aside, a recent anecdote from our younger son, age nine: He was telling me about this penguin he made at school. " . . . and he's carrying buckets of blood and you can tell from his eyes that he's seen some things . . . "
C3@, except when you're E4$.C1$ (oooh, maybe this is the real secret code those Alt Ntl Parks folks keep posting. 🤣)D5!My first thoughts exactly.C5$A5$
It led to this interesting chat dialogue with a work colleague.
Them: Inquiring minds want to know: how would you self-identify on the chart you posted on FB?Me: That's tricky. I have a general sense how I see myself and how I hope to come across, but feel clueless as to how that translates into reality for others and what vibe they actually experience from me.Me: And, as with picking favorites, I can't seem to pick just one. I like aspects of everything.Them: Fair. Did any responses surprise you?Me: I think I'd rule out A & B. 1 & 2. %Me: I'd probably put myself largely C (gryphon) with hints of D (goblin ) and E (unknowable).Me: In descending order 3 - 5 - 4.Them: Interesting--I briefly considered A and 1 for you, but decided that explaining that "by dragon, I mean 'hoards things' and by 'things' I mean 'experiences and knowledge'" and "by enchanted sword, I mean 'tool with which to solve problems'" felt like WAY too much for a fun FB chart. lolMe: I don't think I'm intoxicating enough to be ! (ale). I'd like to think I offer the wisdom of tea ($), the comfort of mutton pie (@), and the support of elven bread (#).Me: Yeah, that's the problem, they can all be interpreted in different ways. Dragon could also mean lazy and destructive.Me: So I'm surprised to see anyone picked the sword for me because I don't see myself as violent or warlike, but it's hard to know what they meant by it.Me: I like your response, because it captures layers/dimensions. My normal unassuming self and things you might find at a deeper level.Them: There's a certain amount of paladin-ness built into a sword, I think, or knight-in-shining-armor vibes that I think are...well, not NOT appropriate, though maybe not immediately surface obvious. Please see the story about the people forming a shield wall, etcMe: I'm flattered by how many chose $, because I definitely strive for wisdom.Me: Er - Dragon could mean greedy (not lazy) and destructive.Them: My dude, you have got to find a response other than "flattered", because that suggests a certain amount of disagreement/disbelief when people say nice things about you, all of which have, from what I can tell, proven to be 100% accurateThem: And I dunno, I'm sure there are some lazy dragons out thereMe: Yeah, but my first two thoughts are covetous hoarders of wealth and wrathful burninators. Then I might get to magical and charming and tricksy, but the others are primary.Me: Smaug and all . . .Them: Oh sure, but I think there's an argument to be made that once one reaches a certain level of wealth hoard, then one tends to become pretty lazyThem: Could go out and scour the countryside, or could set up this nice adventurer attractor and let them to come to me and then loot their corpsesMe: And I always have to overcome initial disbelief when people see/say nice things about me.Them: As I tell my friends all the time, you're cool AF and you're just going to have to find some way to be ok with that.Them: "If the person feels he or she is intelligent and capable and has a strong internal locus of control, then that anxiousness gets turned inward and also has an internal focus--I have the ability to impact those around me and my surroundings, so if anything is amiss then I am most likely the cause. And something is always amiss, so I am always at fault. The only state that could allow me to stop worrying is complete perfection. It's almost narcissistic, having such grand expectations of oneself in this way, that if I am not perfect then I am wrong."Them: Wow, man, pretty rude to publish parts of my diary without even telling meMe: Q: Where can I find an INTJ?A: We INTJs are über-introverts, so we prefer asynchronous and semi-anonymous forms of communication. We get most of our socialization through internet forums and Usenet newsgroups. Look for us there.Them: Q: Why does my INTJ just start nodding and smiling after we’ve been talking for a couple of minutes?A:Them: Today I learned that I can in fact stifle a guffawThem: And fun fact, I'm INFJ, so that extremely feels like it explains some things regarding key differences between us. lolMe: I find this entire document is scarily accurate for my instinctive tendencies, though I have worked hard to become a kinder, gentler version of INTJ.Them: Me: You are awesome and should love yourself![Degolar]: Nah.Me: Butbutbut here, let me enumerate the cool things about you![Degolar]: (munches on a snack and thinks about trees)
So, even though I started it, I think people are too multidimensional and layered for a single answer; but, if I was forced to pick a response for myself right now (and the answer might be different later), I would assign myself: C3$ - Gryphon, Apothecary Satchel, Tea of Wisdom.
That same colleague also recently reshared Resistance Is Contagious when I posted it on Facebook, with the following introduction:
The post I shared with my colleague in the dialogue above, There Are Two Types of People in the World, makes reference to being the type of person who likely qualifies as "highly sensitive," so it seems appropriate that this just popped up in my feed the other day.
What I discovered after many years of studying this innate survival strategy is that high sensitivity means, above all, thinking deeply about everything. Which makes someone like me, well, thoughtful, creative and inclined more than most to both science and spirituality. Having nearly automatic empathy – almost too much sometimes – we cry easily. We notice subtleties: birds, flowers, the lighting in a room, and if someone has rearranged the furniture.With all that going on in a sensitive person’s brain, we are easily overstimulated. . . .About 30 per cent of people have this trait of high sensitivity – and because it is a survival strategy to observe before acting, it’s a trait seen in many. We’ve all met an especially sensitive cat, dog or horse. But there are sensitive birds, fish and fruit flies too. . . .The trait of high sensitivity is always seen only in a significant minority because there is no advantage to any individual if all of them notice and consider details about food patches (or anything else) equally. For that reason alone, there will also be many individuals low in sensitivity, enjoying the advantages of saving energy by not paying particular attention to stimuli.In humans, this innate survival strategy involves noticing and adapting to details in the environment, especially the social environment. Those with this trait are carefully observing and processing what they take in, consciously or not, and maximising what they have learned. This kind of deep processing can be difficult to observe. The sensitive individual, child or adult, is simply watching and thinking while going about life, not appearing different from others. Just processing more. One can imagine that, when an adaptive behaviour is decided on based on this processing, the change may be gradual, or it might occur suddenly, before others make the same move – perhaps taking a shortcut, changing one’s diet, or buying something on sale before others have noticed the reduced price.While information for HSPs is all over the internet, the trait is still not very well understood. One reason is the central fact that depth of processing, which is largely invisible, is the key to all the rest. Another confounding element is differential susceptibility: because HSPs are tirelessly processing their experiences, they are affected more positively than others in good environments, especially in childhood, and more negatively affected than others in bad environments. Therefore there are quite a few HSPs suffering from anxiety, depression and shyness due to difficult childhoods, and they are more visible than HSPs with good-enough childhoods.The good news is that highly sensitive people are more positively affected than others by interventions. The bad news is that stress is also more damaging to HSPs, and more likely to be correlated with physical illnesses. After decades of studies finding more illnesses in HSPs, a crucial study concluded that stress was the underlying reason for these illnesses, not simply having the trait. The HSPs I sometimes call ‘high functioning’ may not even be aware of their trait or, if they have learned about it, have found the suggestions useful and moved on. They are mostly invisible, except for their creativity, deep thinking and empathy for others. They are not angels but, having enjoyed a good upbringing, are often very nice people.HSPs are difficult to identify for at least three other reasons. Sensitive men are not noticed because the cultural stereotype of sensitivity in the West is that it is feminine and somewhat of a weakness. . . .Another violation of the stereotype of a sensitive person is that many are extraverts. . . .About half of HSPs have another innate trait: seeking novelty and high sensation. They are easily bored and love new things. . . .In brief, if you want to be sure you are dealing with a highly sensitive person, watch for signs of depth of processing. For example, their ideas are usually well thought-out. If they suggest where to go for a hike, they have probably considered the time of day, the aspect of shade and sun, the wind, and the distance from other hikers, among other pertinent details. They may prefer not to give an opinion, however. In a committee, for example, or a family, their opinion may differ from the majority, and the HSP may stay silent, wanting to avoid conflict or people being tired of the HSP usually being right.Another way you can spot an HSP, of course, is their need for downtime and recovery after they have been overstimulated – or when they feel they will soon become so if they do not stop. If they are ‘high functioning’, having grown up in an environment where they felt respected, they may have their downtime planned into their lives seamlessly. When they have had enough, they learn to say: ‘That isn’t going to work for me’ without further explanation. Having clear boundaries like this is a necessity for HSPs. In a sense they are born with thin boundaries, letting in more than others, including the feelings of others, and thus they are inevitably aware of others’ needs.
It reminds me of an article I shared all the way back in 2009 about being "high-reactive" and having an "anxious mind," Are You High-Reactive?
It resonates.
Speaking of work chats and necromancy, we digitally post a weekly question and colleagues can answer if inclined as a way to know each other better. Last week I asked the question What have you lost? I contributed the first response since I was worried people wouldn't know how to respond, plus a few others along the way (subtly indicated below with bold emphasis).
What have you lost?I have lost my youthI have lost my temperI have lost some weight (and gained some back and lost some . . . )I have lost some inhibitionsI have lost a wifeI have lost my parentsI have lost my lonelinessI have not lost hopeI have lost a good number of bad habits and unhealthy behaviorsI lost the book on vacation.I lost the book on a plane.I lost the book in a swimming pool.I lost the book and found it again…But it was wet, so I threw it away.I have lost this antique woven wall hanging during my move to KC. I'm still upset about it and think of it often.I have lost my ability to just lie down on any ol' piece of furniture, curl up, and fall asleep quickly then sleep through the night and get up in the morning without anything hurting.I have lost my sense of smell.From Of Things Gone Astray - . . . This is a book about people--none of whom realize it--who have lost themselves. Their routines have become habits of action without thought, and they've lost track of who they once aspired to be and to what might give their lives more meaning. They don't realize they themselves are lost, but they are all confronted, at the start of their stories, with the loss of something else, something unexpected and unrealistic. . . .For a period of my life, I lost the belief that I could fall asleep sober. When I found it, I lost the belief that I could fall asleep hungry. I have been finding it again recently.I could've sworn that I once had a d100 (100-sided die). In the process of looking for it, I found a weighted d6 that (almost) always lands on 6. All is balanced, I suppose... except that d6.Proved the points that I needed provin'I Lost the friends that I needed losin'Found others on the wayI've kissed the girls and left them cryingStolen dreams, yes there's no denyingI've traveled hard sometimes with conscience flyin'Somewhere in the windBy Elizabeth BishopThe art of losing isn’t hard to master;so many things seem filled with the intentto be lost that their loss is no disaster.Lose something every day. Accept the flusterof lost door keys, the hour badly spent.The art of losing isn’t hard to master.Then practice losing farther, losing faster:places, and names, and where it was you meantto travel. None of these will bring disaster.I lost my mother’s watch. And look! my last, ornext-to-last, of three loved houses went.The art of losing isn’t hard to master.I lost two cities, lovely ones. And, vaster,some realms I owned, two rivers, a continent.I miss them, but it wasn’t a disaster.—Even losing you (the joking voice, a gestureI love) I shan’t have lied. It’s evidentthe art of losing’s not too hard to masterthough it may look like (Write it!) like disaster.
I shared the trail guide joke, but not the final poem.
Some might think to be worried about young ones wanting to be necromancers and making jokes like "he's seen some things," but I don't because they don't have any trouble distinguishing between reality and fantasy, blurring the line between real and pretend. And because our culture is inundated with dark thoughts and worries about catastrophe. These are children who practice intruder drills at school to be prepared for mass shooters--along with fire drills, tornado drills, and bomb threat drills. Previous generations have practiced nuclear war drills. Children who have sincerely asked if the world as they know it will still exist when they're older or if global warming will have wiped everyone out. Angst is ubiquitous. Doom is everywhere.
Things like this are constantly in my feed:
That same year I also shared the review I wrote today for Lemony Snicket's book Horseradish: Bitter Truths You Can't Avoid, which included . . .
. . . it's the title of the climactic twelfth (of thirteen, of course) chapter that captures what he's all about: "An Overall Feeling of Doom that One Cannot Ever Escape No Matter What One Does."
An overall feeling of doom that one cannot ever escape no matter what one does. Feelings of doom are inescapable. It is a personal feeling and it permeates our culture. I came across the phrase "apocalyptic angst" in the introduction to a book I just read and immediately had new words for an old sensation. Apocalyptic Angst. Omnipresent, pervasive, always and everywhere.
That book is Everything Must Go: Stories We Tell About the End of the World by Dorian Lynskey. It's an insightful, fascinating, and engaging look that sense of apocalyptic angst that pervades human cultures. Because humans are highly prone to chronocentrism, a belief that the current moment in time is more significant than any other, a bias towards the present as unique, special, and momentous, we are highly prone to feeling the dangers we face are uniquely significant and dangerous. It always feels like the end of the world is just around the corner. In a convergence of history, science, and culture, this book looks at the all the popular stories that have captured, reflected, and encouraged that feeling over time.
Though he delves a bit into earlier times and other places, most of the book focuses on the past few centuries--through to the present--in Europe and the U.S. He explores books, plays, movies, music, news, and more, mostly science fiction, and their relationships with the science of their day. There's a comfort in seeing how wrong so many people have been for so long about the immediacy of disaster; it's a wonderful exercise in perspective. Though there remains a sense of dread about the fact that even if the fears of the past have yet to come to pass, they remain among the ever accumulating list of potential possibilities.
The table of contents gives a good overview of the topics considered.
Introduction: Apocalypse All the TimePrologue: GodPart One: The Last Man1. Darkness2. The Last ManPart Two: Impact3. Falling Starts4. Doomsday RocksPart Three: The Bomb5. Dreaming the Bomb6. Destroyer of Worlds7. Deliverance or Doom8. The Doomsday Machine9. WinterPart Four: Machines10. Robots11. Computers12. Artificial IntelligencePart Five: Collapse13. Catastrophe14. SurvivalPart Six: Pandemic15. Pestilence16. Contagion17. ZombiesPart Seven: Climate18. Too Hot19. Too Many People20. Too Cold21. Too LateEpilogue: The Last Day
And a few short excerpts.
There is always enough misery and mayhem in the world to support a claim that it is the end of days, if that is what you wish to see.-----One could read Revelation as the original conspiracy theory, in which secret knowledge is revealed to the righteous few who are wise enough to decipher it and the forces of good finally defeat the villainous cartel that is responsible for all the evil in the world.-----The first end-of-the-world novel was a pandemic novel: Mary Shelley's The Last Man.-----The first person to destroy the world in a manner that seemed, at the time, to be scientifically plausible was Edgar Allen Poe. The murder weapon was a comet.-----Much of what we call post-apocalyptic fiction is more accurately described as post-catastrophic. The world has not ended, but a world has, creating a blank slate on which the survivors can write whatever they like: anarchy, tyranny, utopia. Whatever the killer blow might be, bomb, plague or quake, is of secondary interest to the civilizational collapse that it produces.-----Are we--have we been--worrying about the right things? Have our fears made the world better or worse? Which warnings are essential to our future and which lead us to battle phantoms? Centuries of predictions reveal that there is no sure way of knowing which fears to prioritize even if you factor in every bias and listen to the majority of scientists--even if you are a scientist. Sneering at the expired dread of previous generations is no aid to making the correct calculations now.-----You have to train yourself to say that things are not as bad as they seem and the worst will not happen. The goal is not complacency but sanity--freedom from unjustified dread.
While far from delightful reading, it is nevertheless a wonderful book.
We are not inclined to appreciate the bad things that have not happened to us--the conflicts and famines avoided, the diseases prevented, the lives saved--nor to measure our anxieties against the ordeals of the past.-----[Of R.U.R. (Rossum's Universal Robots), the 1921 play that introduced the world to the term "robot" and imagined those machines ultimately replacing humanity:]Capek felt that literal-minded critics missed the ambivalence of his play. In an article for The Saturday Review, he explained that both the utopian Domin and the sceptical Alquist are right, to an extent, as is every other character: 'I think it is possible . . . that a human truth is opposed to another truth no less human, ideal against ideal, positive worth against positive worth no less positive, instead of the struggle being, as we are so often told it is, one between exalted truth and vile selfish error.'-----Alan Dundes, a professor of anthropology and folklore, diagnosed [the survivalist mindset] as a distinctly American phenomenon: 'Americans have a strong undercurrent of rugged individualism, or vigilantism even. Americans take to the hills to fend off the nuclear holocaust with a shotgun and a supply of food.' In Oregon, sociology professor Richard G. Mitchell Jr began studying survivalists for a book. Over the next two decades, he found that some were murderous, paranoid racists and some merely eccentric hobbyists, but all were storytellers. Feeling themselves powerless to shape society as it was--hi-tech, bureaucratic, increasingly incomprehensible--they engaged in a form of speculative fiction in which they could be reborn as warriors, entrepreneurs and builders of a new world. This escape fantasy offered the alienated a sense of community and purpose. 'Life is transformed, idealized, simplified,' Mitchell wrote. 'Imaginary sides are drawn, rules set, action consequent and lasting. The complex modern world of competing ideas and alternative life stratagems distils to a few simple principles, the right tools, and a will to work . . . See the meaning that fill their lives as they ready for the end of the world, as they go dancing toward Armageddon.' Survivalists rarely agree on exactly how that might happen. Mitchell found that 'environmental catastrophe, economic collapse, seditious insurrection, widespread civil strife, internecine race war, thermonuclear holocaust, invasions from within, abroad or above, and other calamities' were all options.-----C.S. Lewis argued in 1955 that this might be the paramount virtue of eschatological fiction:Work of this kind gives expression to thoughts and emotions which I think it good that we should sometimes entertain. It is sobering and cathartic to remember, now and then, our collective smallness, our apparent isolation, the apparent indifference of nature, the slow biological, geological, and astronomical processes which may, in the long run, make many of our hopes (possibly some of our fears) ridiculous. If memento mori is sauce for the individual, I do not know why the species should be spared the taste of it.
I particularly appreciate these, each in its own way.
longing for the clarity of disasterFor a million years, we’ve watched the sky and huddled in fear. Feeling the thunder rumble deep in our chests, peering up at the storm clouds gathering on the horizon like an army preparing to invade. Even if you try filling the room with TV weather warnings to give yourself a sense of control, you can still taste the chaos hanging in the air.And yet, somewhere deep down, you find yourself rooting for the storm, hoping for the worst. As if a part of you is tired of waiting, wondering when the world will fall apart—by lot, by fate, by the will of the gods. Almost daring them to grant your wish. But really, you can wish all you want, because life is a game of chance. And each passing day is another flip of the coin.You can’t help but take this life for granted. Your eyes gradually adjust to the color of the walls, and your ears tune out the chatter. And while your brain goes numb trying to shake off your complacency, your heart can’t sit still, and your gut is hungry for chaos. Itching to get struck by lightning, plunge over a waterfall, or survive a plane crash. Hoping the trauma will somehow change you, leaving you hardened, stripped down, with clear eyes and a clear mission, forced to choose the one thing worth saving while everything else burns to ash, or send one final message to the people you love the most. Longing to watch society break down one pillar after the next, so you can find out what’s truly important, and let everything else fall away.The apocalypse is one of the oldest fantasies we have. But it’s not about skipping to the end of the story. It’s a longing for revelation, a revealing of what we already know but cannot see—that none of this is guaranteed, and there’s no such thing as “ordinary life.” That our civilization is just an agreement, one that could be revoked at any time. That beneath our rules and quarrels, we’re stuck together on a wide-open planet where anything can happen, which leaves us no choice but to survive, to build a shelter, and find each other in the storm. Knowing that every passing day is very nearly miraculous, a cascading series of accidents that just happens to fall our way.Eventually, the storm will pass, the skies will clear, and we’ll pick up our lives just where we left them, no more urgently than before. We’ll soak in the sunshine as if none of it mattered, forgetting the sense of fellowship we once found in the shelter.That’s alright. It’s just life—it’s not the end of the world.In Ancient Greek mythology, Lachesis is the middle of the three Fates, the one who decides how much time is to be allotted to each of us, measuring out the thread of life with her rod. Pronounced “lahk-uh-siz-uhm.”
The apocalypse is one of the oldest fantasies we have. But it’s not about skipping to the end of the story. It’s a longing for revelation, a revealing of what we already know but cannot see—that none of this is guaranteed, and there’s no such thing as “ordinary life.”
It seems appropriate now to repeat a bit of content from An Ambiguous Sense of Simultaneous Comfort and Unease, a post from just over a year ago:
The other day, just as that storm was starting, I wrote about the book The Mysteries by Bill Watterson and John Kascht:
I'm watching the world transform today. Watching a snowstorm through the windows, everything changing from browns and blacks and greys to white. Watching the power of the weather, of nature. And I'm reminded by these cosmic forces how small and weak I am in comparison.
Humans have forgotten this feeling, The Mysteries implies. Once upon a time, we were defined by an ever-present anxiety about our limitations, our finitude, our powerlessness. The world was big and scary and mysterious. Now, we believe we understand and control everything. Nothing is unknown; nothing need be feared. But we must remember just how many mysteries still lie--and always will--outside our understanding, and adjust our orientation toward the world before it's too late.
Storytellers told of the Mysteries' bizarre and terrifying powers. Artists depicted the people's many sufferings. |
The sense of humility that comes from watching a snowstorm. The Mysteries evokes this feeling with its words and images. Powerfully. The universe is an awe-inspiring spectacle, far too mysterious to ever fully grasp, and we are but tiny specks in its vastness. And, if we're clever, we can pair our anxiety with awe and wonder.
That became my review.
JeFF Stumpoof course, as a poet, I’m supposed to thinkwords matter, am supposed to notethe irony in the Pentagon algorithmically removingreferences to diversity from its websitesand accidentally pulling photosof the Enola Gay, famousfor dropping the atomic bomb on Hiroshimaand not, to be clear,fucking another B-29 in the asslike a humpback whale,like the first two humpback whales ever photographedhaving sex only for it to turn outthey’re both male,and the scientists, sometimes quotedin a news article and sometimes not,trying to emphasize that they don’t know why,that the whales may be gay,or it may be that one is injured,or it may be that this is what whales doin the 70% of Earth most of us know next to nothing aboutbecause it is so watery and so deep,the point being that we can’t ask the whaleswhat’s up with the buttfuckery,which is distinct from the buttfuckery of the Pentagon,which is metaphorical, and,if I’m being honest, bordering on homophobicas a term even in a poem admonishing themfor silencing the word “gay,”realizing I am not being a very good whale ally,whale here being a metaphorfor a trans state legislator in Montanaspeaking so eloquently against an anti-drag billthat the body politic flips,a cis straight mother reaching across the aisle,a couple dozen Republicans changing their votes to no,a reminder that maybe they just needed to seethat there is so much ocean out thereand it is not just a place we crosson the way to drop a bomb,that we should be placing our heads in the watermore often, listening for strange-to-us song
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