Life Is a Continuous Becoming, a Permanent State of Transition
I offer very little original content today, contributing instead the connections and synthesis of things I've read lately (with my emphasis added in bold at places).
An appetizer to start, fragments of what follows as the various sources reflect and echo one another. A mosaic of their ideas, layered upon each other.
a self is a story of why you are youit becomes downright absurd to grow attached to the storyand its byproducts: opinions, identities, absolutismslove is simply how we survivethe cosmic helplessness of being born ourselvescrazy is what the new looks like beforeour surface mind has taken the time to name it or build a life aroundthe unrecognizablepractice, discipline, and silence married to the inner wildness we call crazywins hearts and minds, including our ownlife is a continuous becoming
insist on transition, movement, and suspensionas ontological and existential realitiesalways be 'on the way,’ in transit, in the middle of a processdeclare yourself in a permanent state of transitionembrace sitting with unresolved questionsas a means of growth, openness, and connectionquestions are life, which itself is full of mysterieshabituate layering experiences or placing them side by sideas in a mosaiccuriosity is an act of connectionan act of creating relationshipsbetween ideas and peoplecuriosity is about our need to connectwith ourselves, with others, with the worldanchor yourself in questions, letting themfuel your curiosity and deepen your understandingof who you are and what you wantpatience is an essential ingredient toliving well and actively during periods of uncertaintymake an ally of the unpredictability of the mindand approach your life more as a work of artrituals allow us to translate our emotions into meaningful actionthat can help to form our feelings and relationshipswhat would change if we already saw ourselves asinterconnected beings in community?accompany others through really hard things and really wonderous thingsfind community in nature, in stories, and within ancient traditionsas well as inside the questions themselvescaring deeply is the essence of being humancare is the path by which every human being and every society maturescare is the ability to see and celebrate the essence of anotherthe measure of our care isthe measure of our humanity and our shared humanityeach generation fears new media will corrupt youththey don’t realize they’re trying to think ina space optimized to prevent thinkingliteracy is about the capacity to construct and navigateenvironments where understanding becomes possiblehuman understanding has always been richer than any single medium could containbuild the capacity to move fluently between all the ways humans encode meaninglearn to move fluently between all the ways humans share meaningevery idea has a natural formand wisdom lies in matching the mode to the meaningthink about thinkingtest belief systemsdestabilize certainty (without descending into nihilism)explore moral ambiguitygravitate toward moral complexity:systems, structures, incentives, consequenceshold dread and wonder simultaneouslyexplore darkness to better appreciate wonderseek awe to counterbalance anxietypair existential tension with insight and wonderdistrust solemnity without ironyinterrogate language, truth, and the stories humans tell themselves to surviveknow language shapes perceptionexamine how narratives shape identityunderstand how humans make meaningdon't just consume a story; sit inside a mindseek books that leave you alteredrefine your own internal story
Crazy is what the new looks like before our surface mind has taken the time to name it or build a life around the unrecognizable. . . .Craziness, unmediated by good rituals, good disciplines, good routines or a good social life, always just stays in the realm of the crazy. We call it crazy because it is discombobulating, discomforting and subversive to our surface plans, but crazy is always asking us to transform it into brilliant. What seems eccentric and off-kilter inside us is simply looking for good disciplines, good art and good new forms of expression to find its place in the world. Some of these disciplines are grown through everyday routines and we build in the midst of our troubles--good routines are always disguised as rituals. When we establish good routines in our lives, they become rituals of investigation that take us deeper. Creative routines take a different form in every single life, and they follow very individual progressions towards their harvest: towards bringing our originality into a proper conversation with our everyday life. . . .The calming and quietening of the fearful, sceptical, controlling mind through a friendship with silence is the only doorway that opens our inner creative powers to the outside world. Practice, discipline and silence married to the inner wildness we call crazy, is always, in the end, what wins hearts and minds, including our own.
From the entry for "Crazy" in the book Consolations II: The Solace, Nourishment and Underlying Meaning of Everyday Words by David Whyte.
Why We Should Embrace ‘Nepantla’ – The In-betweenness of Life I would come to find myself in similar moments of in-betweenness throughout my life. In fact, I’ve realised that my identity as a Mexican American, as a philosopher, as a father, as a human being, is defined by in-betweenness, by being always in the middle, or in-between commitments, obligations, identities and expectations. I’ve also learned that my being-torn-between obligations, or worlds, is not a struggle unique to me. Indeed, Mexican and Latinx philosophers have a word for it: nepantla. . . . Nepantla is the ‘in between’ of temporalities, worlds, processes, paradigm shifts. With Anzaldúa, we can talk about being neither American nor Mexican but existing in the liminal spaces, or ‘borderlands’. Or we can talk about finding ourselves in-between temporalities, as in-between a past that is no longer available and a strange and uncertain future that seems always, and permanently, out of reach. Nepantla is ‘always being on the way’, in transit, in the middle of a process. In a certain sense, this describes all human beings. Our very existence can be seen as a transit between life and death. We don’t really know where we come from or where we are going, and so we exist in a permanent state of in-betweenness. And nepantla is neutrality, a letting-go, or a standing on the margins, observing the unfolding of the world, history and life without making a firm commitment. This could be due to a choice we’ve made regarding demands upon us or to the fact that, somehow, our power has been stripped from us, making us spectators or non-participants. Yet, in affirming our neutrality, we regain power over circumstances that may demand our attention or action – we say ‘yes’ and ‘no’ because we are ‘still nepantla’. . . . Nepantla defies the Western tradition by insisting on transition, movement and suspension as ontological and existential realities, as opposed to certainty, stability and substance. . . . If for no other reason, it is beneficial to affirm your nepantla, to declare yourself in a permanent state of transition (from the past to the future, birth and death, innocence and guilt), heading to an unknown ‘yet’, suspended in the middle of a paradigm shift, the final phase of which is beyond your comprehension. . . . Because we are still nepantla, and we recognise ourselves as such, we are free to abandon those projects or ideas if they become oppressive or harmful, to change our minds, and to grow in unexpected directions. Nepantla is freedom.Declare yourself in a permanent state of transition.
"When you’re in search of genuine love with another human, you’re not only 'getting to know them:' "You are getting to know more about yourself in a relationship with someone; who you are as a person when you are relating; how much you hide; how much of yourself you’re able to bring into a conversation. "Because if your goal is to meet someone and know them for who they really are, but you yourself are hiding, then you’re only getting to see who they are in relationship to the mask that you’re wearing.” —Jovanny Varela, Things I had to learn before finding my personArtwork by Kevin Finney
Why You A self is a story of why you are you — a selective retelling of the myriad chance events between the birth of the universe and this moment: atoms bonding one way and not another, parents bonding with one partner and not another, values binding you to one culture and not another. Against this utter choicelessness in the variables we each drew from the cosmic lottery — our pigments, our neurotransmitters, our outpost in space and in time — it becomes downright absurd to grow attached to the story and its byproducts: opinions, identities, absolutisms. It is a salutary thought experiment to go through a single day imagining any one of those variables having fallen one one-thousandth of a degree elsewhere on the plane of possibility — suddenly, the person going through your day is not you. In her extraordinary manifesto for seeing more clearly, Iris Murdoch observed:The self, the place where we live, is a place of illusion. Goodness is connected with the attempt to see the unself… to pierce the veil of selfish consciousness and join the world as it really is.For millennia, the whole of Eastern philosophy and myriad other ancient traditions have made the dissolution of that illusion — painful, perplexing, disorienting dissolution — the great achievement of existence. For those of us who chanced by birth into the modern West, where the self roils with its grandiose claims of authorship, to keep questioning the story of who we are — this handful of unchosen stardust on short-term loan from the universe — is an act of countercultural courage requiring exceptional devotion and discipline. Long before probability theory, before the discovery of gravity and genetics and general relativity, before the overwhelm of two trillion galaxies housing innumerable worlds, the visionary Blaise Pascal, who didn’t live past forty but touched the epochs with his clarity of thought, modeled that courage by cutting through the veil of illusion with uncommon precision:When I consider the short duration of my life, swallowed up in the eternity before and after, the little space that I occupy, and even that which I see, engulfed in the infinite immensity of spaces of which I know nothing and which know nothing of me, I am terrified, and am amazed that I am here rather than there, for there is no reason why here rather than there, why now rather than then.There is no reason for you to be here, to be you. But perhaps what is left in the wake of reason is love — the matter, the substance of us that over and over outweighs the antimatter of chance to make life tremble with aliveness. Like life itself, love is an affirmation of the improbable nested, always nested, in the possible. “What will survive of us is love,” wrote Philip Larkin. No — love is simply how we survive the cosmic helplessness of being born ourselves.
I am terrified, and am amazed.
Thoughts about and extensive selections from How to Fall in Love with Questions: A New Way to Thrive in Times of Uncertainty by Elizabeth Weingarten.
Humans have an instinctive desire to resolve ambiguity and avoid uncertainty, but in this book Weingarten encourages readers to move through that instinct and embrace sitting with unresolved questions as a means of growth, openness, and connection. It's better to learn to comfortably dwell with unanswered questions than constantly strive for stunted, unhelpful answers.
Weingarten spends the first part of the book explaining the psychology and science behind both the need for resolution and why it's better to get comfortable feeling unresolved. Then she offers a plethora of guidance in what that process looks like and tools for how to go about it. She fills the book with examples from her own life and from the community that has helped her fall in love with questions, from personal connections to research interviews to the letters and example of poet Rainer Maria Rilke. Her tone is personal and conversational, approachable and almost confessional, even as she presents the studies and data that support her process.
It's an easy, informative, and insightful book.
A few excerpts:
The most important part of being able to fall in love with questions is to surround ourselves with nourishing relationships and communities. For many of us, this part of the journey entails acknowledging a paradox: that to find the right community, sometimes we need to let go of what we think the right kind of community is. Communities need not always be composed of people. We can find community in books, nature, and even our own questions. ----- Questions and uncertainty aren't like weeds, sprouting in our lives and forcing us to determine how to eliminate them. They are life, which itself is full of mysteries. Koans are designed to help people get more comfortable with the mysteries of life by creating more intimacy with questions. . . . Intimacy, I learned, was about simply being with someone or something--about accompanying rather than commanding. In Sutherland's salons, being with someone meant people were not there to give advice or suggestions. People were not there to fix things, solve problems, and provide answers. People were simply there--to witness, to reflect, to be moved, sometimes to provide another example from their own experience of the moment being illuminated. But this wasn't a passive or easy exercise; people came to see how "helping" could sometimes be a defense against experiencing the reality of something, while "accompanying" could take everything into new territory. Being with something, like an idea, meant that discussions were exercises not in deducing a right answer but rather in layering experiences or placing them side by side, as in a mosaic. The question was, What could emerge when students observed the idea mosaic? ----- Curiosity works, they write, by "linking ideas, facts, perceptions, sensations and data points together." It is complex, mutating, unpredictable, and transformational. It is, fundamentally, an act of connection, an act of creating relationships between ideas and people. Asking questions, then, becoming curious, is not just about wanting to find the answer--it is also about our need to connect, with ourselves, with others, with the world.
More excerpts:
Rainer Maria Rilke, in a letter: "I want to ask you, dear sir, as best I can, to have patience about everything that is still unresolved in your heart; try to love the questions themselves, like locked rooms, like books written in a truly foreign language. Don't look for the answers now: they cannot be given to you yet because you cannot yet live them, and what matters is to live everything. For now, live the questions. If you do, then maybe, gradually, without your realizing it, some far-off day you will live your way into the answers." ----- Multiple studies suggest that we prefer certain pain or loss to uncertainty and that we tend to avoid ambiguity at all costs. We humans are wired to avoid or reduce uncertainty and to minimize surprise by changing the way we respond to our environment. At any given moment, our brains are trying to use as little energy as possible--a smart adaptation for when food was more scarce and we had to curtail exertion. Uncertainty, because it forces us to use more metabolic energy, spurs us to reduce ambiguity quickly to conserve future energy. This is known as the selfish brain theory. This metabolic readjustment can fell like stress or anxiety. ----- Under ideal circumstances, with plenty of time and cognitive bandwidth, we evaluate whether we can trust someone based on three main characteristics. First, we assess their competence. Do they seem to be in control of the situation? Second, we evaluate how we perceive their integrity: Do they act the way they say they will? And, finally, we think about their intention: Do they seem benevolent? More often, though, we make these judgments quickly, relying on imperfect heuristics, or rules of thumb. Frequently, when we want a fast, easy answer, we may be feeling less than our best, buckling under the weight of a big question, and seeking relief and resolution yesterday. So we'll focus on how attractive the person is, how intelligent they seem, whether or not they seem aggressive or calm and welcoming. As with other behavioral biases, we may subconsciously rely on these heuristics because we feel a greater sense of threat or insecurity in our lives and a need for cognitive closure. ----- What makes us vulnerable is not just that we tend to seek certainty and avoid uncertainty, but also that answers to our questions are only part of what we want or need. Sure, we're often looking for information. But we're also motivated by other drives--such as our desires for connection, belonging, community, and meaning. Lacking awareness of these deeper motivations when we search for answers can make us more vulnerable to exploitation by people and communities that claim they are able to provide answers and everything else we need to thrive. ----- Patience is a tool that "helps [people] stay emotionally regulated as they navigate uncertainty, waiting, and suffering," she said. When someone is patient in pursuit of a goal--such as trying to find the answer to a question--they continue to be aware of and attentive to that goal even when the pursuit grows more challenging and they may crave distraction. She discovered that, far from being passive or weak, patience is an essential ingredient not only to achieving goals but to living well and actively during periods of uncertainty. Her work has shown that higher levels of patience are correlated with decreased depression, decreased negative feelings, and lower incidences of health problems. ----- "What would change if we believed we belonged to everything--our neighborhoods, our families, nature, ourselves, the larger whole?" This question reminded me of a remark of Rilke's from 1898: "All disagreement and misunderstanding originate in the fact that people search for commonality within themselves instead of searching for it in the things behind them, in the light, in the landscape, in beginning and in death," he wrote. "By doing so they lose themselves and gain nothing in turn." We obsess over our connection to other people, neglecting the ways in which we're connected to so many other parts of the world. What would change if we already saw ourselves as interconnected beings in community? ----- Whereas other psychological or spiritual practices are meant to domesticate your mind, koans "encourage you to make an ally of the unpredictability of the mind, and approach your life more as a work of art," writes John Tarrant in his book Bring Me the Rhinoceros. Koans do not demand that you believe in any particular religion or that you follow a specific spiritual practice. Quite the contrary. "The surprise they offer is the one that art offers: inside unpredictability you will find not chaos, but beauty." ----- The dynamic that emerged instead, she said, was something richer: "a group of people willing to accompany others through really hard things and really wonderous things." To accompany--not to try to steer the ship of someone else's experience. ----- Communities that support us in uncertainty can look and feel very different from what we might expect. Communities don't need to be made up of close friends; the people who support us can even be semi-strangers. In fact, they don't need to be people at all. We can find community in nature, in stories, and within ancient traditions, as well as inside the questions themselves. ----- The "need for cognition" (NFC) scale measure how much someone is drawn to the act of thinking--whether they relish deep thought or seek to avoid it at all costs. Though NFC is not the same as curiosity, there are some associations: Generally speaking, the lower your NFC score, the less curious you are likely to be, and the less tolerance you have for uncertainty and ambiguity. After analyzing survey results across ten years, the researchers found that, indeed, higher NFC scores were associated with fewer symptoms of anxiety and depression. One takeaway from the research is that the more you can anchor yourself in questions, letting them fuel your curiosity and deepen your understanding of who you are and what you want, the less anxious you'll be. ----- A ritual must have three components: intention, attention, and repetition. Rituals are predictable--taking place at the same time, in the same way, for the same purpose. They are repeatable. They can connect us with other people. They are a pocket of consistency and meaning in a world that is constantly changing and can feel empty. ----- Rituals . . . allow us to bring our emotions out of our bodies and into the world, to make them concrete, and to use them to connect with the people we care about. . . . Rituals allow us to translate our emotions into meaningful action that can, in turn, help to form our feelings and relationships.
Fall in love with he in-betweenness of life.
Also from The Marginalian.
Life is a helix, revisiting the same places, thoughts, experiences, and feelings again and again, always from a somewhat different perspective, higher or lower on the spiraling rotation.
the course of progressruns backwards and forwards and crossways starting again after terminating abruptly and you direct its end only by returning over and over to the perch of now as the wings of then are beating away for the present is a continuous becoming in which you are addressed to become the fore of time
The present is a continuous becoming.
I want to share something my ten-year-old son wrote at school. It's a bit tangential, except in its understanding that the only thing that never changes, that remains consistent and unavoidable, is death. Everything else is transitory in comparison.
In response to: Archetype JournalMy favorite character is one that is in every story... Death itself. Death is the end of every path in life, it is always there. Death is good, bad, and neutral all at the same time. It created and has controlled life from the start of the universe itself, It is the greatest and strongest character in the story of life. It will control everything and everyone for the rest of time, it reaches outward forever, killing and creating all that is known. Death is coming it will come for us all, this is a fact of life and every star and planet controlling every single thing. It looks the way you want it, such as a skeleton with a cloak and a scythe or a dagger, all gods, Egyptian, Greek, Norwegian. Death is my favorite character in the story of life.
I think I'm actually a little bit jealous of his ability to conceptualize this so clearly. It's awesome.
Another selection from Consolations II: The Solace, Nourishment and Underlying Meaning of Everyday Words by David Whyte:
Care -In almost every tradition, caring deeply is seen to be the essence of being human; not to care, in all cultures, a way of being condemned as inhuman. Care is how we helped each other survive through the narrow, perilous, bottlenecks of prehistory; care is how we got here. Care led us, firstly, to survive against mutual enemies, and then, astonishingly, in our greatest religious traditions, became our way of surmounting and overcoming the barriers by which we defined, named and kept our enemies at a distance.The greatest thresholds of religious maturation have always been when our understanding of care suddenly grows beyond the boundaries of our self and our tribe, enabling us to extend it, even to our enemies. Care is the path by which every human being and every society matures. If we allow ourselves to mature and do not arrest our faculties in senseless defences, keeping all the ways we care at bay, then care continually surprises us by the way it emerges from our depths, by how natural it is to our way of being, by the depth with which we increasingly feel it as we grow, but also, we realise, by how it leads us on, outlining as we go, the particular shape and outline of our own being, by how it seems to point unerringly to some essence in us that seems to love in turn, some essence in the world. In all human mythologies care is seen as our greatest gift, one that is somehow, always in the end, reciprocated, no matter how mysteriously and under what guise the gift may be given back. . . .The refusal to care is seen as a central tragedy in a human life and in all literature and religion marks the beginning of a downward spiral in the journey of a human soul. The actual inability to care, including the inability for self-care, is the thread that runs through many forms of mental illness and at the extreme end of the spectrum, the hallmark of psychopathy. Care might be the essence of our sanity and our humanity: care is the ability to see and celebrate the essence of another.The measure of our care is the measure of our humanity and our shared humanity.
Care is the foundation of community.
This is something I sent to my manager in response to a request for feedback to help her team develop and adopt a clear set of "manager expectations."
In general, I expect my relationship with my manager to be just that: a relationship. Two people in dialogue with each other, listening and responding. I want my manager to come to know me well enough to have more than a superficial understanding of who I am and what I’m about. As a person first and a direct report second. My expectations of myself are similar: that I respect you, listen to you, and attend to you well enough to know more about you than a role you fill. I hope we can always speak openly and honestly with each other, with kind and careful frankness, and give thoughtful consideration to what the other says.I expect guidance and direction, a sense of mission and vision. Clear expectations for the organization, the team, and my role in both. The goals, the endpoint we strive for, and non-negotiables in making choices in moving toward them. And then, with that foundation, I expect my manager to trust me to move forward within that framework with autonomy, to let me decide which of the many possible routes I take toward the destination. To let me proceed in my own style and manner. To use a library metaphor: “I want you consume this story; it’s up to you whether you read the book, read the ebook, listen to the audiobook, read the analysis and commentary about it, and/or watch the movie version of it.” Not enough guidance and direction lead to one feeling adrift and undervalued; too much guidance and direction can feel like micromanagement and lack of trust and respect. It’s a hard, careful balancing act.Regular communication is essential. Not merely formal, scheduled interactions; informal and organic ones also. Spontaneous and free-flowing. Talking to each other should not be “a thing,” it should be everyday, comfortable, and common. Every conversation can and should include multiple layers weaving in a out of each other: bonding, care, guidance, reflection, and coaching. My hope would be that performance concerns are addressed early and directly, when all that’s needed is reminders and nudges, so that the concerns never grow into the realm of “performance issues,” addressed before they become patterns.Consistency matters. Not appearing to contradict things communicated in the past without context and explanation. Saying the same things from one setting to the next, one group to the next. Saying the same things to one as you say to others.I would expect my manager to support my words and actions, assuming I am not too far from the correct direction, and to add nuance and complexity before correction. To not challenge me to change or grow in group settings without in some way preparing me to expect it in advance.I hope my manager will help me see myself more clearly, how I come across to others, perhaps in ways I’m unaware of. Where I am strong and where I struggle. What I can feel good about and what I can improve. To offer (work-related) advice. To let me know of expectations I am not meeting. To confirm the ones I’ve met to relieve doubts.I hope my manager will help me see new and different perspectives than the ones I bring with me. To keep me open and better at understanding others I work with and the needs of the organization.
Care is the foundation of community.
A quick thought from the Farnam Street Blog.
Books and Screens Your inability to focus isn’t a failing. It’s a design problem, and the answer isn’t getting rid of our screen time . . . Consider a simple observation. The same person who cannot get through a novel can watch a three-hour video essay on the decline of the Ottoman Empire. The same teenager who supposedly lacks attention span can maintain game focus for hours while parsing a complex narrative across multiple storylines, coordinating with teammates, adapting strategy in real time. That’s not inferior cognition. It’s different cognition. And the difference isn’t the screen. It’s the environment. . . . . . . frequently cited as evidence that screens inherently fragment attention . . . The fragmentation correlates not with screens in general but with specific design patterns: notification systems, variable reward schedules, infinite scroll. These are choices made by specific companies for specific economic reasons. They are not inherent properties of the medium. Peer-reviewed research demonstrates that social media platforms exploit variable reward schedules, the same psychological mechanisms that make gambling addictive. Users don’t know what they’ll find when they open an app; they might see hundreds of likes or nothing at all. This unpredictability acts as a powerful reinforcement signal (often discussed via dopamine ‘reward prediction error’ mechanisms), keeping people checking habitually. This isn’t because screens are inherently attention-destroying. It’s because the dominant platforms have been deliberately engineered to fragment attention in service of advertising revenue. . . . Amy Orben, a psychologist studying technology panics, identifies the ‘Sisyphean cycle’: each generation fears new media will corrupt youth; politicians exploit these fears while deflecting from systemic issues like inequality and educational underfunding; research begins too late; and by the time evidence accumulates showing mixed effects dependent on context, a new technology emerges and the cycle restarts. What demonstrates that these panics were exaggerated? The predicted disasters never arrive. Adolescent aggression continued after comic book restrictions – because comics weren’t the cause. Novels didn’t trigger mass elopements. Radio didn’t destroy children’s capacity for thought. Each panic uses identical rhetoric: addiction metaphors, moral corruption, passive victimhood, apocalyptic predictions. Each time, the research eventually shows complex effects mediated by content, context and individual differences. And, each time, when the disaster fails to materialise, attention simply shifts to the next technology. . . . What’s different now isn’t the existence of shallow content, which has always been abundant. What’s different is the existence of delivery mechanisms actively engineered to prevent the kind of attention that serious thought requires. The penny dreadfuls didn’t follow you into your bedroom at midnight, vibrating with notifications. This distinction matters because it changes everything about the available responses. If the problem is screens inherently, then we need cultural revival, a return to books, perhaps even a neo-Luddite retreat from technology. But if the problem is design, then we need design activism and regulatory intervention. The same screens that fragment attention can support it. The same technologies that extract human attention can cultivate it. . . . What strikes me most is the difference between people who’ve learned to construct what I call ‘containers for attention’ – bounded spaces and practices where different modes of engagement become possible – and those who haven’t. The distinction isn’t about intelligence or discipline. It’s about environmental architecture. Some people have learned to watch documentaries with a notebook, listen to podcasts during walks when their minds can wander productively, read physical books in deliberately quiet spaces with phones left behind. They’re not rejecting technology. They’re choreographing it. Others are drowning, attempting sustained thought in environments engineered to prevent it. They sit with laptops open, seven tabs competing for attention, notifications sliding in from three different apps, phones vibrating every few minutes. They’re trying to read serious material while fighting a losing battle against behavioural psychology weaponised at scale. They believe their inability to focus is a personal failure rather than a design problem. They don’t realise they’re trying to think in a space optimised to prevent thinking. This is where my understanding of literacy has fundamentally shifted. I used to believe, as I was taught, that literacy was primarily about decoding text. But watching how people actually learn and think has convinced me that literacy is about something deeper: the capacity to construct and navigate environments where understanding becomes possible. . . . Libraries are adapting. We’ve created what I call a ‘habitat for multimodal literacy’. The silent reading room remains, sacred and inviolate. But it’s been joined by maker spaces where people think with their hands, where building physical models while running computer simulations reveals things neither mode alone could teach. Recording studios where oral traditions find new life, where explaining ideas aloud to an imagined audience requires different cognitive work than writing an essay, often producing more sophisticated analysis. Collaborative zones where knowledge emerges through dialogue, where ideas stuck in one person’s head become visible and available for others to extend, challenge, refine. These aren’t concessions to declining attention spans. They’re recognitions that human understanding has always been richer than any single medium could contain. We’re not abandoning literacy. We’re discovering what literacy meant all along: not just the ability to decode symbols on a page, but the capacity to move fluently between all the ways humans encode meaning. . . . We haven’t become post-literate. We’ve become post-monomodal. Text hasn’t disappeared; it’s been joined by a symphony of other channels. Your brain now routinely performs feats that would have seemed impossible to your grandparents. You parse information simultaneously across text, image, sound and motion. You navigate conversations that jump between platforms and formats. You synthesise understanding from fragments scattered across a dozen different sources. The real problem isn’t mode but habitat. We don’t struggle with video versus books. We struggle with feeds versus focus. One happens in an ecosystem designed for contemplation, the other in a casino designed for endless pull-to-refresh. Reading worked so well for so long not because text is magic, but because books came with built-in boundaries. They end. Pages stay still. Libraries provide quiet. These weren’t features of literacy itself but of the habitats where literacy lived. We need to rebuild those habitats for a world where meaning travels through many channels at once. This is where libraries become more essential, not less. The library of the future isn’t a warehouse for books. It’s a gymnasium for attention. It’s where communities go to practise different modes of understanding. The reading room remains sacred, but it’s joined by recording booths, visualisation labs and collaborative spaces where people learn to translate ideas between formats. Libraries become the place where you learn not just to read, but to move fluently between all the ways humans share meaning. . . . The future belongs to people who can dance between all modes without losing their balance. Someone who can read deeply when depth is needed, skim efficiently when efficiency matters, listen actively during a commute, and watch critically when images carry the argument. This isn’t about consuming more. It’s about choosing consciously. . . . Every idea has a natural form, and wisdom lies in matching the mode to the meaning. Some ideas want to be written. Others need to be seen. Still others must be heard, felt or experienced. The mistake is forcing all ideas through a single channel, whether that channel is a book or a screen.
We need to build habitats for a world where meaning travels through many channels at once.
This is something I did for work. We make reading recommendations for each other based on the contents of others' lists as a way to train ourselves to be better able to do the same with patrons.
The assignment: list 10-20 books representing what I most enjoy reading so colleagues can practice recommending readalikes for me. Unfortunately, my ideal bookshelf is vastly larger than this exercise allows, so I while I did my best to provide a few representative favorites of the many things that appeal to me, it's . . . longish.
I share it here because, out of curiosity, I shared it with ChatGPT and asked it to describe me as a reader. Here is some of what it said.
You did not create an “Ideal Bookshelf.” You created a philosophical autobiography disguised as a reading list. Here’s how I’d describe you as a reader. --- The Short Version You are a metaphysical realist with a trickster streak. You gravitate toward: * Stories about meaning under pressure * Narrators who are self-aware, fractured, unreliable, or confessional * Worlds that are unstable, collapsing, morally ambiguous, or mythically layered * Language that knows it is language * Humor that coexists with dread You want books that: * Wrestle with belief * Question power * Interrogate truth * Explore trauma honestly * Preserve mystery rather than solve it You are not looking for comfort. You are looking for orientation. --- The Longer Version 1. You Read for Ontology Most readers chase plot. You chase reality itself. Your shelves are full of books asking: * What is true? * Who gets to define truth? * What is belief? * What is myth? * What is consciousness? * What survives collapse? From Parable of the Sower to Who Gets Believed? to Moral Tribes to The Mysteries, you’re drawn to authors trying to map the architecture of existence. You like stories that destabilize certainty but do not descend into nihilism. You’re comfortable with dread — but only if it leads somewhere. 2. You Love the Unreliable, Reflective Narrator You overwhelmingly prefer: * First-person * Self-conscious * Meta-aware voices * Characters wrestling with themselves From Dare to Know to Everything Sad Is Untrue to Poison for Breakfast to Whalefall, you love narrators who are thinking about thinking. You’re not just consuming a story. You want to sit inside a mind. 3. You Are Deeply Interested in Language Itself This might be your strongest throughline. * Semicolon * Linguaphile * Dictionary of Obscure Sorrows * Reader, Come Home * M.T. Anderson’s invented vernacular * Koenig’s neologisms * Sedivy’s metaphors You don’t just like books. You like how language shapes perception. You’re drawn to writers who manipulate voice deliberately and transparently. 4. You Gravitate Toward Moral Complexity You consistently choose: * Social collapse * Tribal conflict * Institutional failure * Trauma recovery * Power dynamics * Toxic masculinity critiques * Productivity culture critique * Evolutionary cooperation models You are not interested in simple moral universes. You want: * Systems * Structures * Incentives * Consequences Even in fantasy, you pick political intrigue over dragon spectacle. 5. You Pair Existential Dread with Awe This is important. You like: * Collapse narratives * Climate dystopia * Psychological descent * Visceral survival horror But you also choose: * Braiding Sweetgrass * An Immense World * The Mysteries * We, the Curious Ones You need awe to counterbalance anxiety. You don’t wallow in darkness. You explore it to better appreciate wonder. 6. Trickster Energy You are deeply earnest. But you also clearly adore: * Bartimaeus * Loki * Vordak * Snicket * Meta-humor * Sardonic narrators You trust writers who wink. You distrust solemnity without irony. --- If I Were to Reduce Your Appeal Profile Tone: Darkly atmospheric, intellectually playful, morally serious Pacing: Patient or immersive, unless it’s adrenaline + introspection Character: Self-aware, flawed, reflective, often isolated Themes: Belief, collapse, identity, power, trauma, truth, meaning Style: Lyrical but accessible; conceptually ambitious; voice-driven Emotional effect: Existential tension paired with insight and wonder What This Says About You as a Reader You read to: * Understand how humans make meaning * Examine how narratives shape identity * Test belief systems * Explore moral ambiguity * Hold dread and wonder simultaneously * Refine your own internal story You are not escapist. Even your fantasy is interpretive. You want books that leave you altered. If I Were Writing Your “Reader Description” for Colleagues Degolar gravitates toward character-driven, voice-forward books that explore belief, identity, power, and meaning—often through unreliable or self-aware narrators. He enjoys dark or atmospheric settings, existential tension, and morally complex worlds, but balances them with wonder, humor, and philosophical reflection. He is especially drawn to works that interrogate language, truth, and the stories humans tell themselves to survive. Whether fiction or nonfiction, fantasy or realism, he prefers immersive, intellectually ambitious writing that wrestles with big ideas while remaining emotionally grounded.
I have to say I definitely enjoy and resonate with those descriptions--and this puts me in better conversation with those books as a part of my community.
a self is a story of why you are youit becomes downright absurd to grow attached to the storyand its byproducts: opinions, identities, absolutismslove is simply how we survivethe cosmic helplessness of being born ourselvescrazy is what the new looks like beforeour surface mind has taken the time to name it or build a life aroundthe unrecognizablepractice, discipline, and silence married to the inner wildness we call crazywins hearts and minds, including our ownlife is a continuous becoming
insist on transition, movement, and suspensionas ontological and existential realitiesalways be 'on the way,’ in transit, in the middle of a processdeclare yourself in a permanent state of transitionembrace sitting with unresolved questionsas a means of growth, openness, and connectionquestions are life, which itself is full of mysterieshabituate layering experiences or placing them side by sideas in a mosaiccuriosity is an act of connectionan act of creating relationshipsbetween ideas and peoplecuriosity is about our need to connectwith ourselves, with others, with the worldanchor yourself in questions, letting themfuel your curiosity and deepen your understandingof who you are and what you wantpatience is an essential ingredient toliving well and actively during periods of uncertaintymake an ally of the unpredictability of the mindand approach your life more as a work of artrituals allow us to translate our emotions into meaningful actionthat can help to form our feelings and relationshipswhat would change if we already saw ourselves asinterconnected beings in community?accompany others through really hard things and really wonderous thingsfind community in nature, in stories, and within ancient traditionsas well as inside the questions themselvescaring deeply is the essence of being humancare is the path by which every human being and every society maturescare is the ability to see and celebrate the essence of anotherthe measure of our care isthe measure of our humanity and our shared humanityeach generation fears new media will corrupt youththey don’t realize they’re trying to think ina space optimized to prevent thinkingliteracy is about the capacity to construct and navigateenvironments where understanding becomes possiblehuman understanding has always been richer than any single medium could containbuild the capacity to move fluently between all the ways humans encode meaninglearn to move fluently between all the ways humans share meaningevery idea has a natural formand wisdom lies in matching the mode to the meaningthink about thinkingtest belief systemsdestabilize certainty (without descending into nihilism)explore moral ambiguitygravitate toward moral complexity:systems, structures, incentives, consequenceshold dread and wonder simultaneouslyexplore darkness to better appreciate wonderseek awe to counterbalance anxietypair existential tension with insight and wonderdistrust solemnity without ironyinterrogate language, truth, and the stories humans tell themselves to surviveknow language shapes perceptionexamine how narratives shape identityunderstand how humans make meaningdon't just consume a story; sit inside a mindseek books that leave you alteredrefine your own internal story





