Fall Is a Craving
Weather
Is the perfect day
one in which you
wear the same clothes throughout,
too cool near the beginning and end,
too warm in the middle,
but never uncomfortable enough
to require a change
or is it one that demands
layers and adaptation to
a larger range of variety?
And is the needed
amount of adjustment
determined purely by
environmental transformation or
does level and type of activity
come into play?
It goes without saying
that a day that is so
uniform and unfluctuating that
it is perfectly comfortable throughout,
no accommodation needed,
is too monotonous to qualify
as perfect.
And wind.
Wind is always required.
Some version of a
temperature bell curve
and air that never rests.
The only question is just
how much dynamism and restlessness
creates perfection.
The weather has been perfect often lately. A beautiful fall for weather and light, if a bit too dry and lacking in autumn colors. I'm just not quite sure how to answer my question posed above, as I go back and forth on my preference.
-----
Which reminds me of a favorite quote from The Forest Unseen: A Year's Watch in Nature by David George Haskell. Here's how I shared it in Our Biggest Failing Is Lack of Compassion for the World, Including Ourselves.:
For a while now my answer to the question, "What is your favorite season?" has been "The next one." I love all of the seasons each in their own way, but most of all I love the variety they provide. I look forward to the changes. Haskell would seem to agree.
We crave rich variegations of light. Too much time in one ambience, and we long for something new. Perhaps this explains the sensory ennui of those who live under unchanging skies. The monotony of blank sunny skies or of an endless cloud ceiling deprives us of the visual diversity we desire.
And I do. Crave rich variegations of light And of temperature and air movement. Too much sameness dulls me.
-----
I've stolen this post's title from poet José Faus. It's the title of one of the poems in his book The Life and Times of José Calderon. The idea, in fact, comes up in two of his poems.
From "Fall Is a Craving"
Fall is a cravingthat lingers long past winterwhispers trail behind
And from "Bitter Suite"
Fall is a hungerthat lingerslong past winter
The second stanza even appears twice in "Bitter Suite." Neither poem particularly spoke to me beyond that image, but the sense of fall as a craving or hunger really resonates with me.
Each season has its rewards. Spring is pure delight, the joy of renewed warmth and light and life after so long without. Summer is sun and color and fullness of life. The starkness of winter brings its own type of beauty, appreciation for what remains in contrast to what is missing that makes it all the more precious. Fall, though, fall includes so much perfection, temperatures and colors and breezes to revel in, yet tinged with the awareness that all of it is fading. Soon it will be gone, overtaken by winter's bleakness. So there is constant bitterness to the enjoyment that makes it all the sweeter, an urgency to devour it lest you miss it, and a yearning to make it last--if not to return to summer or skip forward to spring. Fall is a craving.
I feel I'm in the fall of my life. The early stages, I hope, but the fall nonetheless. It has me contemplating age more often. (See also : One of My Favorite Words Is "Embody".)
The piece from José Calderon that most spoke to me was "I Enjoy." It's meant as a contrast between two lovers, I'm sure, but I relate to it more as a contrast between youth and age. My youth and age, at least. For when I was young I was much more the "she" of this poem and now, on the verge of 50, I'm on the verge of the "I" in it. If not transformed, I have at least transitioned. Age has calmed me and my enjoyments. And with my kids providing a constant source of the "her," I crave the calm of the "I" all the more.
I EnjoyI enjoy the world swayingto the demands of age-old scriptscontent to lie for hourswith one leg over the othermimicking the lazy rhythmsof sheltered waves lapping up the beachNothing bores her more than to seea languid ocean spentmiles before it hits the bank"Give me the roar and crash of waterover the rippled wakeof an indifferent wave"I have watched the ocean witherfrom a high crag after the sun dissolvesthe evening fog creeping to the hillslike waves of tumbling smokeslowly devouring the worldShe longs for the cries of wild animalsahead of raging fires turning tinderall the brush and growth till specklesflicker dangerous along a valley floorI know the desolationwhen a leaf descendsafter and long journeyfrom a branch silentinto the still water of a covesending ripplesthat grow larger to disappearin the wake of other ripplesstirred by idle winds acrossthe mirrored surface of a lakeShe is alive in raucous windsthat pummel trees and send leavescrashing to the air tossed watersShe breathes the hard gusts of hurricaneslashes her self to rocking redwoodsI linger at the edges of hillsidessweeping up to high mountain meadowssleep on the loam of purple orange columbinesstitched like a ruffle below the tree lineShe rides the rush of waterfrom snow melts charginggouging the face of mountains"Let me jump from glacial tossed bouldersto volcano spewed rocksand balance at the side of sheer dropsthousands of feet from the hard groundGive me earth shakingand rumbling ash spewing hilltopsand you show me to true nature of things"I sit at the edge of hillspray to condors eagles and hawksriding thermals to the topand laugh at the play of bear cubson the folding ridges of the high countryShe marvels at the frenzy of bearstaking salmon from streams in big swipesthat turn the waters redder than her hairI sit and wait beneath a warm moonfeel the heat like whispers on my skinas the waves cascade in a dull distant snoreand I know that come tomorrowthe world will be mine in the hollow imprintof a sole where I walked before I turnedand took the time to lay my blanket on the sand
Though I still greatly appreciate roar and frenzy, I find more joy in whispers and ripples all the time.
-----
And to circle back, I find the imagery in the middle stanza perfectly captures the craving of fall:
I know the desolationwhen a leaf descendsafter and long journeyfrom a branch silentinto the still water of a covesending ripplesthat grow larger to disappearin the wake of other ripplesstirred by idle winds acrossthe mirrored surface of a lake
The movie Amadeus was a formative one for me, with self-proclaimed "mediocrete" Salieri wishing his whole life he could create beauty and greatness the way he sees Mozart doing. I see recent discovery Hamilton as similar in its dynamic between narrator Burr and his view of Alexander Hamilton. Throughout the story in various ways and explicitly in his song "Wait for It" Burr describes Hamilton taking action when he delays, making a difference in ways he merely dreams of.
I really like this image from Faus' "Why I Don't Sing":
I have not been a painter of lifeLife has made me its canvasand I begin to peelwatch the color fade
I've previously called myself a "storypusher." In Thoughts on Being a Librarian I opened with a Salieri quote from Amadeus and wrote I'm not a storyteller. My talent seems to be analysis and appreciation. I've found a career sharing other people's stories. I'm not a creator. I have not been a painter of life, but a canvas.
Yet as I move into the fall of my life, the greater my craving to be one. Poetry has begun calling to me, both reading it and tentative dabbling like above. I still don't feel I have any stories to tell, but now I want to find some. I get a little closer all the time to wanting to create art in one way or another, to express meaningful things I can share with others. It's not a true motivation yet, but it has become a craving.
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